Portfolio2016 sbp

STUDIO BRUSA PASQU

PROGETTAZIONE COORDINATA ARCHITETTURA URBANISTICA INTERNI

Via Rainoldi 27 21100 Varese(VA) ItaliaT +39 0332 236317 F +39 0332 284350

[email protected] www.brusapasque.it

Studio Tecnico Associato Via Rainoldi 27 21000 Varese(VA) Italia T +39 0332236317 F +39 0332284350 [email protected] www.brusapasque.it

Brusa Pasqu Studio - company profile

History and traditions are the roots which have formed and inspired the architects Elena and Manuela Brusa Pasqu, always aiming towards innovative technologies and sustainable and accessible projects while never forgetting their history and traditions. For Anna Manuela and Elena Brusa Pasqu, architecture is the mime-sis of nature: the forms, colours and materials used take shape from the natural context, the history and traditions that characterize the place. The respect of the genius loci is combined with the use of new materials, linking the knowledge of the place and its memories with the principles of eco-compatibility and sustaina-bility. Architecture goes beyond just doing, becoming meta-projectual: within the project therefore are values such as simplicity, respect and integration with nature. In every intervention the protagonist is always the interaction between man and the environment, so as to satisfy as naturally as possible the primary social needs and try to arouse in the user the sensations and unique emotions that make him feel part of the space that surrounds him. Respect for man with all his diverse abilities and sensibilities will always remain at the heart of every project.Great attention has always been paid to accessibility, from the early nineties when plurisensorial notions were introduced into projects with technological discoveries and geome-tric ideas and finishes able to add feeling to the space, allowing enjoyment not only by sight. Elena Brusa Pasqu has held master courses on this matter at the Department of Technology at the Milan Polytechnic, teaching subjects such as how to project for a wider range of users, and has realised exhibitions and research projects and innovations such as accessible parks and play areas, in-telligent houses, supermarkets, shops and shopping centres, accessible hotel rooms, both plurisensorial and multimedial since the nineties. Winner in 1998 of the international competition for the New Milan Polytechnic in the area of Bovi-sa, the Brusa Pasqu Studio has always taken part in national and international design competitions such as Turin for the Porta Susa station, Frankfurt for the Bahnhoff Ost or in Quatar, Doha and Dubai in the Emirates. In 2003 the Studio won a special competition in Pavia for the creation of automated stage machinery, an itinerant acoustic shell, able to resolve the acoustic problems in a17th century opera house, the Fraschini theatre. The results were extremely positive and crea-ted enormous interest therby opening wider horizons in the sector of conference halls and auditoriums with assignments that are ever more complicated and pre-stigious in both the conference and musical sectors. Concerning the recuperation of historical assets the Studio has realised very important interventions such as the restoration of the 16th century monument of the Rotonda della Besana in Milan, today home to the Child Museum, finished in 2002, or the Lucio Campiani Conservatory in Mantua in an ex-convent of the late 1400s, started in 2004 and now nearing completion, they have been able to unite the historical-monumental aspects with technology for energy saving and acoustic problems. The projects, although highly technological, have always respected the historical monuments into which they were incorporated. From 2000 until 2007 a long and complex re-

storation for the completion of the monumental building complex named Cascina Ovi in Segrate, made up of buildings dating from 1500 to 1800 and early 1900 with the realisation of a new cycle-pedestrian bridge spanning 35 m. that connects the district of Milan2 with the area Lavanderie on the Cassanese road. Here, too, the ancient and the contemporary have come together in a harmonious mix, which is both highly evocative and attractive to the end user. Ancient and modern, history and innovation, the weight of past history and the lightness of the project in Casci-na Ovi are an exemplary example of the work done by the Studio Brusa Pasqu. Over the last ten years Elena has been asked to realise restorations and restruc-turing in the hotel sector and in luxury residences, in public areas in Italy, Dubai and Russia but especially in Montenegro. In this relatively new Eastern European Republic Elena and a pool of internationally renowned engineers and geologists, have recently projected the exhibition chamber for the Icon of Our Lady of Filere-mo, realising an original underground project that exploits the Montenegro karst system in order to create a pathway full of mysticism that the darkness of the earth leads towards the light in order to collocate a precious kinematic shrine suitable for containing one of the most ancient icons of the world: shrine suitable for con-taining one of the most ancient icons of the world: the Icon of Our Lady famous for being the patron of the Knights of the Order of the Hospitallers, known today as the Knights of Malta.The Studios experience therefore ranges from ancient lo-cations and museum and historic sites to collective areas dedicated to hospitality. In the last ten years Studio Brusa Pasqu has realised a four star hotel in Varese, Italy with 60 rooms and suites, besides a bar, a wine bar and a restaurant in Tivat in the Bay of Kator, the Bar-Restaurant Prova which opened in 2010. In the same area Elena Brusa Pasqu is also carrying out two important projects: Hotel Igalo in Herzeg Novi which should be finished in 2014 and Hotel Palma in Tivet which has been in the project phase for some years: two 4 star hotels one with 163 rooms and the other with 100. Also on the island of Favignana, west of Sicily, in 2009, the Studio was asked to design a particular type of luxury hotel in the Cam-paria della Tonnara Florio, an industrial building of the late 800s similar to 19th century gothic cathedrals which had been used for boat maintenance, directly on the water, in the port of the Sicilian island. The mystic architecture of the historic environment provided inspiration and vision for an original project, respectful of the place. And from the sea Elena passed to the mountains of Valle dAosta to give an innovative image to a luxury hotel in Courmayeur bringing a touch of so-mething light and new with the use of wood that recalled the history of the local culture. Recently Elena was invited to Zagreb to realise the new headquarters of the branch of the historic Croat Bank, Podravska Bank known today as the Poba Bank. This project is the synthesis of Elena Brusa Pasqus work and project experience as she has transformed a commercial area into a place to talk about.

Elena Brusa Pasqu


Brusa Pasqu Studio - history

The history that lies at the roots of every project and taskHistory is inherent in every single place and in all of our projects: it has profound roots which provide the foundations to every one of our assignments. Each project has its own history: from the accurate analysis of an antique monument to be restored, to the more general history of the earth and its genius loci, just as research and technologi-cal innovation go through an accurate historical and cognitive analysis. Our professio-nalism derives from the roots of our own personal history which is the history of a family that goes back over three generations: a real family system which for over a century has been almost exclusively involved in construction. Almost all our relatives both in Italy and abroad have operated and operate in the world of bricks and mortar as if this casual vocation was already an innate part of our DNA. Our grandfather, Alfredo Brusa Pasqu, back in the twenties was already an expert builder, who had his own company which restored the Castle of Vigevano, took part in the building of the Milan-Varese motorway and in 1926 constructed several buildings in Via Crispi in Varese. Buildings which are, today, considered examples for architectural research. Our grandfathers brothers took part in the realization of the decorations in Milans Central Railway Station. Our father, Sergio Brusa Pasqu, an engineer, founded the studio of engineering and architecture that bears the same name in the 1950s, giving it a more technical slant much more in keeping with a present day civil engineering office. President of the Order of Italian Engineers for three years running and Vice European President in the seventies, during his professional life, he realized numerous projects almost all public buildings, mostly sports complexes, swimming pools and sports stadiums. In particular: The Chamber of Commerce in Arezzo built in the sixties, the Italian Pavilion in Osaka for EXPO 70, projected in collaboration with Ing. Tommaso Valle who, in December 2007 exhibited it in his personal exhibition in Rome entitled 50 Years of Architecture.Also worthy of note is the Court House in Teramo , built in the seventies, besides the swimming pool and the first sports stadium in Varese in the sixties, the In-Arch 70 prize for the geodesic dome of the nursery school in the province of Varese.

For Studio Brusa Pasqu the sixties were all about geodesic structures, tensile co-verings, cover structures for stadiums or swimming pools that, had they been carried out, would have become the forerunners of Calatravian tensions. In the eighties, he projected the University of Agriculture at Bujumbura in Burundi and the Nursing Uni-versity in Dakar, Senegal on behalf of the European Development Foundation. He also worked on the 1000 bed Sheraton Hotel in Cameroon and other hotel chains in Budva, in the present state of Montenegro. Sports complexes, however, were our fathers real passion because he, himself, was a sportsman, conferred with the title of Azzurro dI-talia for basket ball, a decoration of which he was particularly proud. He loved team games and team work: attributes he had undoubtedly acquired while playing for Va-

rese Basket, from which the famous Ignis, Vareses never to be forgotten basket ball team, was born. Then came experiences in Singapore, Montenegro and Dubai in the seventies, in Africa in the sixties and seventies with the realization of 4 stadiums some of which have made Cameroon one of the most well-known football teams in the African world. His own personal story, hobbies and passions have inevitably conditioned us, his daughters, both architects, who often followed him around on his professional adven-tures and were often taken around the building sites: in Europe, in the African desert or visits to the wide virgin hills, for example, on an island in front of Hong Kong which today has become a seething mass of buildings far from the cry of the ideal city we had heard our father speak about with his town-planning colleagues and Italian architects. Like most of us, he, too, had many projects that had to be shelved. The subjects of the projects were extremely varied. One of the many we were particularly fond of was the competition for the new Acropolis Museum in Athens in 1990 where we had the plea-sure of working with the architect Carlo Moretti and the Greek architects Fintikakis and Albanis, under the auspices and guidance of SBP: we courageously decided to put forward a solution which differed from that laid down in the competitive bid regulations because we were in favour of the programme choices of those who had drafted the international Competition. So, together with Carlo Moretti, we thought up the idea of a hypogeum museum, set in the hills of Philoppapo, the green hill facing the Acropolis, where we had discovered from reading history and architecture books that, according to an ancient legend , a certain person by the name of Museum was buried, In this particularly case, too, the idea had to be backed by history: for us the realization of a museum where ideally Museum had been buried represented a solution which could not be ignored. In our opinion the proposal was valid above all because it avoided the construction of a rival building to the Parthenon directly in front: this choice put us out-side the competitive bid because it also hid the entrance to the museum which was to be identified with an enormous natural stone element. Not following the competitive bid regulations is an acceptable challenge when you are fully convinced in your project. From then on, architecture for us began to move away from traditional forms and blend in with those of the landscape, often softening and taking on fluidity, designing mimetic scenes which confront the environment through soft lines orientated to establish a rap-port of osmotic intimacy with the territory.Inside, on the other hand, in its very heart, architecture assumes, once again, a creative and vital slant, becoming strong and emotional as in the ancient Gothic cathedrals of the 14th century that with their obscurity and verticality aroused emotions, strong sen-sations, sometimes even the presence of the Divine.This is the story that has molded, incited, formed and educated us, which has had the same effect on those who have worked with us not only during the last few years but also those who have been here in the studio for over thirty years.

Brusa Pasqu Studio - filosofy

Since 1990 Anna Manuela and Elena Brusa Pasque have carried on the activity of their fathers studio which had built up its international reputation, primarily, for the realization of numerous sports facilities and public buildings. Over the years, the ex-perience matured in this particularly field has naturally led to widespread knowled-geof both town planning and architecture, with Anna Manuela taking a greater inte-rest in the former and Elena the later . Their professionalism springs from the roots of their own personal history: a family story which has to date involved three gene-rations whose name is linked to the world of both construction and project design.

Today, the Studio Brusa Pasque group is made up of designers, surveyors, resto-rers and engineers who interact with outside consultants from, for example, huma-nistic, historical and literary disciplines besides specialized technicians. These fi-gures work together in continuity allowing them to take part, with professionalism and enthusiasm, in the various projects and public tenders that the studio proposes.

The Studios clientele is extremely varied: from private clients requiring plans for a family residence and/or interior design with a personalized element, to public ad-ministrations which, for many years, made up almost the entire clientele, to large private companies such as the Zunino group for the projecting and development of the area Cascina Ovi in Segrate (Milan), and other important international construc-tion companies operating mainly in Hungary, Montenegro and the Arab Emirates.

Their architecture is the nemesis of nature: the plastic element takes on the form, colour and materials of the natural context surrounding it, an offshoot of yet another creation suspended between earth and sky. Preliminary historical-territorial studies followed by the projecting, make use of the most up to date types of research, even experimental, for the use of new materials with an end to combining a knowledge of the place and its memories with the principles of eco-compatibility and sub-stantiality, all of which are coordinated with energy saving norms. The results are applied to all types of projects, paying particular attention to primary social needs. Projects for the section of the population considered to be the weakest, such as children, the elderly and the disabled take into consideration the specific sounds of the environment in which the project is located and their correct diffusion. The-refore, environments such as multisensory gardens or spaces dedicated to music become an occasion to express the principles which govern the project iter. The auditorium in the L. Campiani Conservatory in Mantova, the acoustic shell made for the eighteenth century theatre Fraschini in Pavia, a villa in Arosio (headquarters of the Tibetan monks in Canton Ticino) built in 1997 according to the principles of bio-architecture, today very much in the news, to name but a few examples.

For Anna Manuela and Elena every project has its own history: from the accu-rate analysis of an antique monument to be restored to the more general histo-ry of the earth itself to research of the genius loci for a new project such as the towers in Dubai or the New City of Montenegro in Podgorica with the grea-test of attention being paid towards ecological and eco-compatible materials.

Technological innovation undergoes an analogical examination which is iden-tified above all in a historical/cognitive analysis. The acoustic panels made for the auditorium in Mantova and the theatre in Pavia by the company Pampla of Gambolo are just one example: for these projects, in fact, a study was made not only of the architecture and interior design of the hall but also the pane-ling material. A special sandwich was made, composed of photographed lami-nate and a series of different materials paired together, able to reduce by two thirds the thickness of the wood normally used to reflect and absorb the sound.

In such a prospective, the architectural work no longer exists in-itself-and-for-it-self: Domus, Urbs et Orbis fuse together, take form and amplify, and it is this transient nature that allows a multisensory emotional perception where the visitor is not just a passive subject but is, himself, an actor in these new visual paths. Metaproject architecture, therefore, that goes beyond just doing: in the project still are to be found terms of semantic value such as lightness, simpli-city, respect and integration with nature. One such example is the cycle and footbridge at Segrate and the pathways around the new 5 star Durmitor Hotel, that will re-launch tourism for relaxation in the mountains on the Montenegro plateau of Durmitor, a mountain park under the protection of Unesco, or other tourist-hotel or sports projects such as Athletes City at Fujairah or other sports facilities still in the design phase where architecture abandons traditional forms and taking second place to the landscape, often submitting and fluidizing, desi-gning mimetic scenes and confronting the environment through a series of soft lines with a view to establishing an osmotic relationship with the territory itself.

In the future the studio very much hopes to have an enlightened cliente-le, interested in realizing buildings constructed with the aid of research and technological innovation, leading towards a form of substantial architectu-re which respects nature, the environment and man for whom it was built.

Studio Tecnico Associato Via Rainoldi 27 21000 Varese(VA) Italia T +39 0332236317 F +39 0332284350 [email protected] www.brusapasque.it Studio Tecnico Associato Via Rainoldi 27 21000 Varese(VA) Italia T +39 0332236317 F +39 0332284350 [email protected] www.brusapasque.it

HOTELS


PALMON BAY FOUR STARS HOTEL AND SPAHERCEG NOVI - MONTENEGRO

PROJECT YEAR: 2014 END OF WORKS: 2015CLIENT NAME: PRIMORJE HOTELS AND RESTAURANTS

CONSULTING OF EXTERIOR FACADES AND INTERIOR DESIGN


PALMON BAY FOUR STARS HOTEL AND SPAHERCEG NOVI - MONTENEGRO PROJECT YEAR: 2014 END OF WORKS: 2015CLIENT NAME: PRIMORJE HOTELS AND RESTAURANTS CONSULTING OF EXTERIOR FACADES AND INTERIOR DESIGN


RESTRUCTURING OF THE HOTEL PALMATIVAT - MONTENEGRO - 2011

PROJECT YEAR: 2007 END OF WORKS: 2014CLIENT NAME: HTP PRIMORJE AD

FEASIBILITY PROJECT, FINAL DESIGN AND INTERIOR DESIGN


RESTRUCTURING OF THE HOTEL PALMATIVAT - MONTENEGRO - 2011 PROJECT YEAR: 2007 END OF WORKS: 2014CLIENT NAME: HTP PRIMORJE ADFEASIBILITY PROJECT, FINAL DESIGN AND INTERIOR DESIGN


YES HOTELVARESE - ITALY

PROJECT YEAR: 2003 END OF WORKS: 2005CLIENT NAME: FIORE HOTEL SRL - SARONNO TOTAL WORKS AMOUNT: 1.613.801,44

FINAL DESIGN AND SITE SUPERVISIONIN COLLABORATION WITH: Massimo Buson, Gianluigi Brusa Pasqu, Jos Borzone


YES HOTELVARESE - ITALY PROJECT YEAR: 2003 END OF WORKS: 2005CLIENT NAME: FIORE HOTEL SRL - SARONNO TOTAL WORKS AMOUNT: 1.613.801,44 FINAL DESIGN AND SITE SUPERVISIONIN COLLABORATION WITH: Massimo Buson, Gianluigi Brusa Pasqu, Jos Borzone


CONVERSION OF CAMPERIA AND ADJIACENT AREAS IN A RESORT HOTELFAVIGNANA - TP - ITALY - 2011

PROJECT YEAR: 2010 END OF WORKS: 2011CLIENT NAME: BAGLIO LA CAMPERIA

FEASIBILITY AND FINAL PROJECT IN COLLABORATION WITH: TEKNOS PROGETTI, STUDIO TECNICO arch. mARIO bUSCAINO


CONVERSION OF CAMPERIA AND ADJIACENT AREAS IN A RESORT HOTELFAVIGNANA - TP - ITALY - 2011PROJECT YEAR: 2010 END OF WORKS: 2011CLIENT NAME: BAGLIO LA CAMPERIAFEASIBILITY AND FINAL PROJECT IN COLLABORATION WITH: TEKNOS PROGETTI, STUDIO TECNICO arch. mARIO bUSCAINO


COMPETITION "GOLF CLUB LUVINATE" WINNER OF THE FIRST PRIZELUVINATE - VARESE - ITALY

PROJECT YEAR: 2009 CLIENT NAME: COUNTRY CLUB GOLFPROJECT FOR A DESIGN COMPETITION

IN COLLABORATION WITH: Giuseppe di Pierro IN ASSOCIATION WITH: Riccardo Blumer, Carlo Lavit, Franco Segre


COMPETITION "GOLF CLUB LUVINATE" WINNER OF THE FIRST PRIZELUVINATE - VARESE - ITALY PROJECT YEAR: 2009 CLIENT NAME: COUNTRY CLUB GOLFPROJECT FOR A DESIGN COMPETITIONIN COLLABORATION WITH: Giuseppe di Pierro IN ASSOCIATION WITH: Riccardo Blumer, Carlo Lavit, Franco Segre


REFURBISHMENT OF THE EX-TIRRENIA WAREHOUSEPORTO DI PALERMO - PA - ITALY - 2006PROJECT YEAR: 2015 END OF WORKS: 2015

CLIENT NAME: PORT AUTHORITY OF PALERMOPRELIMINARY PROJECT


REFURBISHMENT OF THE EX-TIRRENIA WAREHOUSEPORTO DI PALERMO - PA - ITALY - 2006PROJECT YEAR: 2015 END OF WORKS: 2015CLIENT NAME: PORT AUTHORITY OF PALERMOPRELIMINARY PROJECT


CONVERSION OF THE EIFFEL PALACE IN A 4 OR 5 STARS HOTEL - 13800mqBUDAPEST - HUNGARYPROJECT YEAR: 1997/2007

CLIENT NAME: IMMOBILIARE EIFFEL ZRTPRELIMINARY PROJECT AND FINAL CONCEPT

IN COLLABORATION WITH: Jos Marco Carlessi PERSPECTIVES: Giancarlo Micheli


CONVERSION OF THE EIFFEL PALACE IN A 4 OR 5 STARS HOTEL - 13800mqBUDAPEST - HUNGARYPROJECT YEAR: 1997/2007CLIENT NAME: IMMOBILIARE EIFFEL ZRTPRELIMINARY PROJECT AND FINAL CONCEPTIN COLLABORATION WITH: Jos Marco Carlessi PERSPECTIVES: Giancarlo Micheli


RESTRUCTURING OF THE HOTEL NIKSICSUTOMORE - MONTENEGRO

PROJECT YEAR: 2007CLIENT NAME: HTP ONOGOST AD NIKSIC

PRELIMINARY PROJECT, FINAL DRAFT AND ART DIRECTIONIN COLLABORATION WITH: Massimo Buson, Jos Borzone, Giuseppe Di Pierro, Sara Talamone


RESTRUCTURING OF THE HOTEL NIKSICSUTOMORE - MONTENEGROPROJECT YEAR: 2007CLIENT NAME: HTP ONOGOST AD NIKSICPRELIMINARY PROJECT, FINAL DRAFT AND ART DIRECTIONIN COLLABORATION WITH: Massimo Buson, Jos Borzone, Giuseppe Di Pierro, Sara Talamone


REALIZATION OF A 4 OR 5 STARS HOTEL WITH SPA AND CONGRESS CENTERCASTELLAMMARE DEL GOLFO - ITALY

PROJECT YEAR: 2007CLIENT NAME: SGG SERVIZI GLOBALI GENERALI SRL

PRELIMINARY PROJECTIN COLLABORATION WITH: Giuseppe Di Pierro, Federica Ambrosioni PERSPECTIVES: Giancarlo Micheli


REALIZATION OF A 4 OR 5 STARS HOTEL WITH SPA AND CONGRESS CENTERCASTELLAMMARE DEL GOLFO - ITALYPROJECT YEAR: 2007CLIENT NAME: SGG SERVIZI GLOBALI GENERALI SRLPRELIMINARY PROJECTIN COLLABORATION WITH: Giuseppe Di Pierro, Federica Ambrosioni PERSPECTIVES: Giancarlo Micheli


RESTRUCTURING OF HOTEL PLANINKAZABLJAK - MONTENEGRO

PROJECT YEAR: 2007/2010CLIENT NAME: HTP PRIMORJE AD

PRELIMINARY PROJECT AND ART DESIGNIN COLLABORATION WITH: Massimo Buson, Federica Ambrosioni, ing. Arch. Jos Marco Carlessi


RESTRUCTURING OF HOTEL PLANINKAZABLJAK - MONTENEGROPROJECT YEAR: 2007/2010CLIENT NAME: HTP PRIMORJE ADPRELIMINARY PROJECT AND ART DESIGNIN COLLABORATION WITH: Massimo Buson, Federica Ambrosioni, ing. Arch. Jos Marco Carlessi


BARS AND RESTAURANTS


RESTAURANT LUCE VARESE - ITALY

PROJECT YEAR: 2008 END OF WORKS: 2009CLIENT NAME: FAI

PRELIMINARY PROJECT AND SUPERVISION TO THE FINAL DESIGN

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Funi in accio inox 6 mm con elementisuperiori e inferiori in acciaio inox aterminale filettato con quello superioredi tensionamento. tecnologia tipo"Jacob inox line". Interasse i=116 mm

Gradini con alzata e pedatain lastra di acciaio continuaspess. 4. Colore scelta d.l.

Cerchiatura superiore di fissaggio cavi inacciaio sez. 100x20 mm saldata alle piastre

superiori di chiusura. Raggio di curvaturaesterno R=750 mm. Colore a scelta d.l

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Piastra di base 80 cm spess 20 mm.Flange radiali triangolari 22x15 cm

spess 10 mm. Appoggio completo sustrato sigillante in malta tipo Emaco

Parapetto in vetro stratificato di sicurezza8-1.52-8 con sistema di ritenuta inferiorea baionetta tramite profilo laminato inalluminio e guarnizioni di tenuta tipo"Q-railing easy glass system"

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MAGRONE O SOTTOFONDO ESISTENTE DA VERIFICARE

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RESTAURANT LUCE VARESE - ITALY PROJECT YEAR: 2008 END OF WORKS: 2009CLIENT NAME: FAIPRELIMINARY PROJECT AND SUPERVISION TO THE FINAL DESIGN


RESTAURANT LOUNGE BAR "PROVA"TIVAT - MONTENEGRO

PROJECT YEAR: 2008 END OF WORKS: 2010CLIENT NAME: HTP PRIMORJE AD

PRELIMINARY PROJECT AND SUPERVISION TO THE FINAL DESIGN


RESTAURANT LOUNGE BAR "PROVA"TIVAT - MONTENEGRO PROJECT YEAR: 2008 END OF WORKS: 2010CLIENT NAME: HTP PRIMORJE ADPRELIMINARY PROJECT AND SUPERVISION TO THE FINAL DESIGN


LOUNGE BAR - "LOCA UBRIACA"VARESE - ITALY

PROJECT YEAR: 2004 END OF WORKS: 2004CLIENT NAME: LOCA UBRIACA s.n.c

PRELIMINARY PROJECT AND WORK SUPERVISION

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LOUNGE BAR - "LOCA UBRIACA"VARESE - ITALY PROJECT YEAR: 2004 END OF WORKS: 2004CLIENT NAME: LOCA UBRIACA s.n.cPRELIMINARY PROJECT AND WORK SUPERVISION


WORKING SPACES


PODRAVSKA BANKA - ZAGABRIAPetar Preradovi Square

PROJECT YEAR: 2014 END OF WORKS: 2014CLIENT NAME: Podravska Banka

FINAL AND EXECUTIVE PROJECT, WORK SUPERVISION AND SAFETY COORDINATION

PC

PC

S.T.

S.T.

S

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CINEOC6040

Monitor

Monitor

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15

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PODRAVSKA BANKA - ZAGABRIAPetar Preradovi SquarePROJECT YEAR: 2014 END OF WORKS: 2014CLIENT NAME: Podravska BankaFINAL AND EXECUTIVE PROJECT, WORK SUPERVISION AND SAFETY COORDINATION


EXECUTIVE OFFICES - CHRISTIAN FISCHBACHERALZATE BRIANZA - (CO) - ITALY

PROJECT YEAR: 2010 END OF WORKS: 2010CLIENT NAME: CHRISTIAN FISCHBACHER SPA

FINAL AND EXECUTIVE PROJECTIN COLLABORATION WITH: COM VARESE


EXECUTIVE OFFICES - CHRISTIAN FISCHBACHERALZATE BRIANZA - (CO) - ITALY PROJECT YEAR: 2010 END OF WORKS: 2010CLIENT NAME: CHRISTIAN FISCHBACHER SPAFINAL AND EXECUTIVE PROJECTIN COLLABORATION WITH: COM VARESE


EXECUTIVE OFFICES - Avv. Rusconi & associatiLECCO - (LC) - ITALY

PROJECT YEAR: 2010 END OF WORKS: 2010CLIENT NAME: Avv. Giuseppe Rusconi

FEASIBILITY AND EXECUTIVE PROJECTIN COLLABORATION WITH: COM VARESE (CONTRACT) AND FG INTERIOR (SCULPTURE AND CHANDELIERS)


EXECUTIVE OFFICES - Avv. Rusconi & associatiLECCO - (LC) - ITALY PROJECT YEAR: 2010 END OF WORKS: 2010CLIENT NAME: Avv. Giuseppe RusconiFEASIBILITY AND EXECUTIVE PROJECTIN COLLABORATION WITH: COM VARESE (CONTRACT) AND FG INTERIOR (SCULPTURE AND CHANDELIERS)


TOWERS


COMPETITION FOR FOUR TOWERS IN DUBAIDUBAI - UAE

PROJECT YEAR: 2006CLIENT NAME: ALFRED BLASKOVITZ

PRJECT IDEA


COMPETITION FOR FOUR TOWERS IN DUBAIDUBAI - UAE PROJECT YEAR: 2006CLIENT NAME: ALFRED BLASKOVITZPRJECT IDEA


COMPETITION FOR A NEW TOWER IN DOHADOHA - QATAR

PROJECT YEAR: 2007CLIENT NAME: ALFRED BLASKOVITZ

FEASIBILITY PROJECT


COMPETITION FOR A NEW TOWER IN DOHADOHA - QATAR PROJECT YEAR: 2007CLIENT NAME: ALFRED BLASKOVITZFEASIBILITY PROJECT


COMPETITION FOR THE PROJECT OF THE STATION "PORTA NUOVA"TORINO - ITALY

PROJECT YEAR: 2001CLIENT NAME: COMPETITION

PROJECT AND VISUALIZATIONIN COLLABORATION WITH: Ci.tra, arch. Teresa Sapey - Spain


COMPETITION FOR THE PROJECT OF THE STATION "PORTA NUOVA"TORINO - ITALY PROJECT YEAR: 2001CLIENT NAME: COMPETITIONPROJECT AND VISUALIZATIONIN COLLABORATION WITH: Ci.tra, arch. Teresa Sapey - Spain


CONCEPT PLANNING STAGE-RELATED TO PLOTS NOS.D7008ED5019-LAGOONS-DUBAIDESIGN AREA II E III

PROJECT YEAR: 2008 END OF WORKS: -CLIENT NAME: RED- INCH DEVELOPERS

FEASIBILITY PROJECTIN COLLABORATION WITH: REV ARCHITECTURE


CONCEPT PLANNING STAGE-RELATED TO PLOTS NOS.D7008ED5019-LAGOONS-DUBAIDESIGN AREA II E IIIPROJECT YEAR: 2008 END OF WORKS: -CLIENT NAME: RED- INCH DEVELOPERSFEASIBILITY PROJECTIN COLLABORATION WITH: REV ARCHITECTURE


RESIDENTIAL BUILDINGS


PRIVATE RESIDENCELAVENO - (VA) - ITALY

PROJECT YEAR: 2003 END OF WORKS: 2005CLIENT NAME: PRIVATE CLIENT

FINAL AND EXECUTIVE PROJECT AND SUPERVISION OF WORKSIN COLLABORATION WITH: COM VARESE for the realization of swimming pool's wall


PRIVATE RESIDENCELAVENO - (VA) - ITALY PROJECT YEAR: 2003 END OF WORKS: 2005CLIENT NAME: PRIVATE CLIENTFINAL AND EXECUTIVE PROJECT AND SUPERVISION OF WORKSIN COLLABORATION WITH: COM VARESE for the realization of swimming pool's wall


PRIVATE RESIDENCETRADATE - (VA) - ITALY


FINAL AND EXECUTIVE PROJECT AND SUPERVISION OF WORKS


PRIVATE RESIDENCETRADATE - (VA) - ITALY PROJECT YEAR: 2006 END OF WORKS: 2011CLIENT NAME: PRIVATE CLIENTFINAL AND EXECUTIVE PROJECT AND SUPERVISION OF WORKS





1 2 5m


RESIDENTIAL COMPLEX REDESIGNCOURMAYEUR - ITALY

PROJECT YEAR: 2010 CLIENT NAME: COURMAJESTIC SRL

PRELIMINARY PROJECT OF THE FACADES


RESIDENTIAL COMPLEX REDESIGNCOURMAYEUR - ITALY PROJECT YEAR: 2010 CLIENT NAME: COURMAJESTIC SRLPRELIMINARY PROJECT OF THE FACADES


PUBLIC SPACES


RESTRUCTURING OF THE CONSERVATORY "LUCIO CAMPIANI"MANTOVA - ITALY

PROJECT YEAR: 2003 END OF WORKS: 2013CLIENT NAME: PROVINCIAL ADMINISTRATION OF MANTOVA



RESTRUCTURING OF THE CONSERVATORY "LUCIO CAMPIANI"MANTOVA - ITALY PROJECT YEAR: 2003 END OF WORKS: 2013CLIENT NAME: PROVINCIAL ADMINISTRATION OF MANTOVAFINAL AND EXECUTIVE PROJECT, WORK SUPERVISION AND SAFETY COORDINATION


RESTRUCTURING OF THE CONSERVATORY "LUCIO CAMPIANI" - CHOIR ROOMMANTOVA - ITALY




RESTRUCTURING OF THE CONSERVATORY "LUCIO CAMPIANI" - CHOIR ROOMMANTOVA - ITALY PROJECT YEAR: 2003 END OF WORKS: 2013CLIENT NAME: PROVINCIAL ADMINISTRATION OF MANTOVAFINAL AND EXECUTIVE PROJECT, WORK SUPERVISION AND SAFETY COORDINATION


PEDESTRIAN - CYCLE BRIDGESEGRATE - MI - ITALY - 2006

PROJECT YEAR: 2004 END OF WORKS: 2009CLIENT NAME: MUNICIPALITY OF SEGRATE - TOTAL WORKS AMOUNT: 1.231.404,83

PRELIMINARY, DEFINITE AND FINAL PROJECT, SITE SUPERVISION - IN COLLABORATION WITH: Ing Mauri Agostino


PEDESTRIAN - CYCLE BRIDGESEGRATE - MI - ITALY - 2006PROJECT YEAR: 2004 END OF WORKS: 2009CLIENT NAME: MUNICIPALITY OF SEGRATE - TOTAL WORKS AMOUNT: 1.231.404,83 PRELIMINARY, DEFINITE AND FINAL PROJECT, SITE SUPERVISION - IN COLLABORATION WITH: Ing Mauri Agostino

1510

160

2580

115

500

5030320 670

1515 1515

12010090 3

0 10030

3125 3125

6250

35

100

100

909

150 150 150 150 150 150 150 1506 6 6 6 20

315

172

350

500

315

172

350

670

7510

00

1100

2000

R25

1510

135

435

135

40

Sottostruttura con telaio in travetti 63x100 microamellarifenolici impregnati sotto pressione "Kerto Q" interasse 30cm.

Assito di transito in listoni di castagno massiccio non cipollatospessore 20mm, larghezza 150mm, posati a correre edistanziati di 6mm e sigillati con resina poliuretanica. Finituramediante trattamenmto con olio. Fissaggio alla sottostrutturadi legno con viti in acciaio inox.

Rivestimento in doghe di acciaio zincato preverniciato 10 /10 converniciatura interna in primer e esterna in PVDF colore silver metallik.Aggancio maschio-femmina a fissaggio nascosto. Gusci lateralisuperiore e inferiore in unico pezzo tra le gondole. Compresa lattoneriadi raccordo in acciaio zincato preverniciato colore silver metallik.

Rivestimento inferiore in profili di acciaio zincato al carbonio con 255gr/m2 preverniciato 10/10 con verniciatura interna in primer e esterna inPVDF colore silver metallik. Larghezza doga 300mm, altezza profilo 30mm. Aggancio maschio/femmina a fissaggio nascosto. Compresalattoneria di raccordo in acciaio zincato preverniciato colore silver metallik.

Predisposizione passaggiocavi elettrici fino alla basedelle costole per sistemailluminazione passerella.

Rete anticaduta e antimasso di sicurezza a magliaromboidale 80x80 mm, realizzata in cavi di acciaio inox 1.5 mm conforme alla norma DIN 1.4401, tesasuperiormente e inferiormente cavi a treccia di acciaio inox 10 mm. Carico distribuito minimo di ritenuta 110Kg/mq.Tesatura orizzontale. La voce comprende ogni accessorio equant'altro occora per dare il lavoro ultimato a regola d'arte.

320670

435

Scossalina rompigoccia

Corrimano tubolarein acciaio inox 50

Canale recupero acque in acciaio zincato spess.4mm, sviluppo 360mm. Giunti elastomerici incorrispondenza delle costole. Saldatura a punti sullacarpenteria primaria. Griglia di chiusura zincata.

1%

Fermapiede tubolarein acciaio inox 50

Cavo a treccia in acciaio inox 10mm tesato per sostegno rete diritenuta. Tenditori in acciaio inox.

Giunto in neoprene

120x60x4

100x50x3 100x50x3 100x50x3 100x50x3

Cavo a treccia in acciaio inox 10mm tesato per sostegno rete diritenuta. Tenditori in acciaio inox.

35

30

150

2000

Sella di appoggio travetti in legnoin lamiera zincata, spessore 3mm e fissaggi passanti in barrefilettate di acciaio 10.

Squadrette 50x50x50x4 inacciaio zincato saldatealla carpeteria strutturale


PEDESTRIAN - CYCLE BRIDGESEGRATE - MI - ITALY - 2006

PROJECT YEAR: 2004 END OF WORKS: 2009CLIENT NAME: MUNICIPALITY OF SEGRATE - TOTAL WORKS AMOUNT: 1.231.404,83

PRELIMINARY, DEFINITE AND FINAL PROJECT, SITE SUPERVISION - IN COLLABORATION WITH: Ing Mauri Agostino


PEDESTRIAN - CYCLE BRIDGESEGRATE - MI - ITALY - 2006PROJECT YEAR: 2004 END OF WORKS: 2009CLIENT NAME: MUNICIPALITY OF SEGRATE - TOTAL WORKS AMOUNT: 1.231.404,83 PRELIMINARY, DEFINITE AND FINAL PROJECT, SITE SUPERVISION - IN COLLABORATION WITH: Ing Mauri Agostino


ATHLETIC CENTRE WITH A MOSQUE INSIDEFUJAIRAH - UAE

PROJECT YEAR: 2004 END OF WORKS: 2006CLIENT NAME: FRASE&ASSOCIATES - DUBAI TOTAL WORKS AMOUNT: 45.000.000

PRELIMINARY AND FINAL PROJECT SUPERVISION TO THE FINAL DESIGN


ATHLETIC CENTRE WITH A MOSQUE INSIDEFUJAIRAH - UAEPROJECT YEAR: 2004 END OF WORKS: 2006CLIENT NAME: FRASE&ASSOCIATES - DUBAI TOTAL WORKS AMOUNT: 45.000.000 PRELIMINARY AND FINAL PROJECT SUPERVISION TO THE FINAL DESIGN

Portfolio2016 sbp

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